Gus Van Sant's latest masterpiece is very much in a similar vein to his previous two films (Elephant and Gerry). Meditative, ambivalent and beautifully shot, Last Days is a loose retelling of the Kurt Cobain suicide. The dialogue is made up of mumbled non sequiturs and directionless enquiries. The cinematography, as in Elephant, is a mixture of pristine framing, expert use of natural light and patient static observation. Though the pace of the movie is arguably too testing for some viewers, the find out more...

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We start with compulsive liar Roberto picking up a teenage girl in a disco and we follow his affair with her while he carries on robbing and murdering. A powerful adaptation of the real life serial killer that documents more than just his dark achievements but gives a wholly believable insight into the man's damaged world and the chaotic ineptitude of the society upon which he preys. Harsh but utterly hypnotic. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...